MY BIG FAT GREEK WEDDING (Theatrical Release USA 2002)

Ben Meyers’ rating: 4.7|5.0 Stars ìììì

My Big Fat Greek Wedding—
high comedic value—zeros in on romance with a vengeance and completely succeeds. The film’s cast outstandingly performs with realistic acting on par with Cairo Time and Zero Dark Thirty. Director Joel Zwick pulled every ounce of entertainment value out of the script while completely catching Greek-American culture in a refreshingly new manner. The film deserves every award it gets. It's likable from the ‘go’ point. There are some sex scenes that place it in adult category for entertainment.

Movie Poster Courtesy of Wikipedia

Storyline

Toula Portokalos (Nia Vardalos), a Greek-American girl, needs to get her life started. At thirty years of age, Toula takes double handfuls of courage and finally begins to make changes in her life to land herself a husband, a family of her own, and a good college education.

Additional Thanks

Thank you to Director Joel Zwick for his efforts in directing this film. Thank you to Executive and Co-Executive Producers Paul Brooks, Mark Hufnail, Jim Milio, Melissa Jo Peltier, Steve Shareshian, and Norm Waitt for making the film possible. Additional characters/cast include: Gus Portokalos (Michael Constantine), Toula Portokalos at age 6 (Christina Eleusiniotis), School Girl (Kaylee Vieira), Greek Teacher (John Kalangis), Maria Portokalos (Lainie Kazan), Toula Portokalos at age 12 (Marita Zouravlioff), Athena Portokalos at age 15 (Sarah Osman), Car Pool Friend (Petra Wildgoose), Car Pool Friend (Melissa Todd), and Yiayia (Bess Meisler).

Buy a ticket? Yes? No? Maybe?

Yes. It’s a not-to-be-missed classic worth both your time and money.

Video Critique Available Here:



Ben Meyers

THE PARENT TRAP (Theatrical Release USA 1961)

Ben Meyers’ rating: 4.8|5.0 Starsìììì

The Parent Trap
—lovable and innocent film. They just don’t make these the same anymore. The innocence is there. Great acting accompanied with superb portrayal of storyline makes this film just plain enjoyable for the whole family. Brian Keith and Maureen O’Hara work well together; the chemistry is terrific. Hayley Mills plays the double script for both twin sisters. She performs so well that you think it’s two different girls acting two different parts. The rest of the cast are a compliment to the main actors.

Film Poster Courtesy of Wikipedia

Storyline

Susan Evers (Hayley Mills) meets Sharon McKendrick (Hayley Mills), at summer camp. They soon find, after they are forced to room together by the camp host, that they not only look alike but are indeed sisters. They work a plan to put their Mother, Maggie McKendrick (Maureen O’Hara), and Father, Mitch Evers (Brian Keith), together again. Part of the plan is switching places so that each girl can experience the parent that they missed during their childhood years.

Additional Thanks

Best Work for Director David Swift. Thank you to Producer Walt Disney for making the film possible. Additional characters/cast include: Charles McKendrick (Charles Ruggles), Verbena (Una Merkel), Reverend Doctor Mosby (Leo G. Carroll), Vicky Robinson (Joanna Barnes), Louise McKendrick, (Cathleen Nesbitt), Miss Inch (Ruth McDevitt), Hecky (Crahan Denton), Edna Robinson (Linda Watkins), and Miss Grunecker (Nancy Kulp).

Buy a ticket? Yes? No? Maybe?

Yes. Definitely. The film is a superb portrayal of Hayley Mills and a real treat for the whole family. Brian Keith is a great contrast to Maureen O’Hara.

Video Critique Available Here:



Ben Meyers

SUPER SIZE ME (Theatrical Release USA 2004)

Ben Meyers’ rating: 4.0|5.0 Stars ìììì

Super Size Me—
a documentary meant to be an eye opener and, yes, it’s worth your money—tells about changes in the fast food industry and school lunch rooms. The film has some sexual references, but is mostly okay for the teen/adult audience. This film attempts to address the question: Is America’s love for ingesting fast food the main reason behind its populations’ burgeoning weight?

Film Poster Courtesy of Wikipedia

Storyline

Morgan Spurlock decides to eat nothing but McDonald’s fast food for 30 days to measure the effect on his weight and his health. He stops his usual exercise routine and completely switches from a healthful dietary routine to a completely fast food diet for breakfast, lunch, and dinner.  He gains 24 and ½ pounds in 30 days, suffers from bouts of depression and decreased libido, and finds personal energy severely depleted. Three doctors and a nutritionist record the state of his health at the beginning of the diet. The internist recommends stopping the experiment before the 30 days completes due to Spurlock’s rapidly deteriorating health.

Additional Thanks

Great work for Director Morgan Spurlock. Thank you to Executive Producers Joe Morley and Heather Winters for making the film possible. Additional characters/cast include: Morgan Spurlock as Morgan Spurlock and Alexandra Jamieson as Morgan Spurlock’s girlfriend.

Buy a ticket? Yes? No? Maybe?

Maybe. The film seems informative, but this experiment does not follow good scientific procedure, has an exceptionally small sample size (one person), and may not portray the whole story truthfully. It is unknown whether Morgan Spurlock’s sugar/fat intake follows the average pattern of a McDonald’s customer or if his diet follows a higher sugar/fat intake than the usual McDonald's customer. Because the experiment has not followed usual scientific study processes, the conclusion becomes flawed, irrelevant and classifies the film as a propaganda film that seems to serve other interests.

Video Critique Available Here:



Ben Meyers

FLUBBER (Theatrical Release USA 1997)

Ben Meyers’ rating: 4.2|5.0 Stars ìììì

Flubber—
a terrific Robin Williams film produced by Disney­—comically tells its story with Christopher McDonald as the perfect pick for the antagonist to the character Robin Williams portrays.

Film Poster Courtesy of Wikipedia

Storyline

Forgetful Professor Philip Brainard (Robin Williams) plans to marry Dr. Sara Jean Reynolds (Marcia Gay Harden); but, as a workaholic and able scientist, he forgets the day, works though his wedding day, and invents/perfects a green rubber substance that will be among the great inventions of the day. Because this is not the first time he has missed his wedding day, his fiancé becomes unforgiving and gives in to the temptations of Wilson Croft (Christopher McDonald) and his ready proposal of marriage. Professor Brainard’s task becomes: win back his fiancée, save the local school from bankruptcy, and reveal his invention to the world.

Additional Thanks

Great Work for Director Les Mayfield. Thank you to Executive Producers David Nicksay and Bill Ryan for making the film possible. Additional characters/cast include: Wesson (Ted Levine), Smith (Clancy Brown), Chester Hoenicker (Raymond J. Barry), Bennett Hoenicker (Wil Wheaton), Martha George (Edie McClurg), and Weebo (voice of Jodi Benson).

Buy a ticket? Yes? No? Maybe?

Yes. This is among the best of clean entertainment that can be enjoyed by the child and adult alike. It’s well-acted, fun, and worth a watch.

Video Critique Available Here:



Ben Meyers

HELLO DOLLY! (Theatrical Release USA 1969)

Ben Meyers’ rating: 4.1|5.0 Stars ìììì

Hello Dolly!—
great classic—worth a watch to see Barbara Streisand as Dolly, a matchmaker, singing and sending her vibrancy throughout every scene as she woos the stiff and difficult Horace Vandergelder (Walter Matthau)  into matrimony. It’s smart, witty in dialogue and story. The music is more than terrific. The film provides a great entertainment piece. 

Film Poster Courtesy of Wikipedia 

Storyline

Horace Vandergelder hires a matchmaker to help him find a woman who can manage all the tasks unique to his home and to his position as owner of a hay, feed, and hardware store. Unknown to him, the matchmaker, Dolly Levi, has set her own sights on the goal of being his new wife.

Additional Thanks

Great Work for Director Gene Kelly. Thank you to Executive Producer Ernest Lehman for making the film possible. Additional characters/cast include: Irene Molloy (Marianne McAndrews), Cornelius Hackl (Michael Crawford), Barnaby Tucker (Danny Lockin), Minnie Fay (E. J. Peaker), Ermengarde (Joyce Ames), and Ambrose Kemper (Tommy Tune).

Buy a ticket? Yes? No? Maybe?

Yes. The movie is a fun romp through Yonkers while employing the talents of Matthau and Streisand at their best.

Video Critique Available Here:



Ben Meyers

THE PRINCE OF EGYPT (Theatrical Release USA 1998)

Ben Meyers’ rating: 4.7|5.0 Stars ìììì

The Prince of Egypt
—the Biblical story of the Exodus from Egypt—is an animated musical that takes the viewer on a journey that covers the Moses story from his saving by a royal queen to his leading the Israelite people to the base of Mount Sinai to receive the Ten Commandments. The script is phenomenal. The film is inspirational. The portrayal of story is superb.

Film Poster Courtesy of Wikipedia

Storyline

Moses’ (voice of Val Kilmer) mother, Yocheved (voice of Ofra Haza), secretly evades Egyptian soldiers sent to kill Hebrew babies and sets her baby into the Nile River where he is found by Egyptian Queen Tuya (voice of Helen Mirren) and adopted as her own son. The Queen names the baby Moses. Moses is raised in the royal houses along with his older step-brother, the eventual King of Egypt Pharaoh Rameses (voice of Ralph Fiennes).

Additional Thanks

Best Work for Directors Brenda Chapman, Steve Hickner, and Simon Wells. Thank you to Executive Producer Jeffrey Katzenberg for making the film possible. Additional characters/cast include: Tzipporah (voice of Michelle Pfeiffer), Miriam (voice of Sandra Bullock), Aaron (voice of Jeff Goldblum), Jethro (voice of Danny Glover), Seti (voice of Patrick Stewart), Hotep (voice of Steve Martin), Huy (voice of Martin Short), Rameses’ Son (voice of Bobby Motown), and Young Miriam (voice of Eden Riegel).

Buy a ticket? Yes? No? Maybe?

Yes. The best Bible story ever told. Good rendition of Moses’ story. Worth your money.

Video Critique Available Here:



Ben Meyers

ARE WE THERE YET? (Theatrical Release USA 2005)

Ben Meyers’ rating: 4.4|5.0 Stars ìììì

Are We There Yet?—
good film—uses the talents of Ice Cube, Philip Bolden, Aleisha Allen, and Nia Long to tell the story. Great script, well portrayed and comical.

Film Poster Courtesy of Wikipedia

Storyline

Nick Persons (Ice Cube), who works at a collectible sports store in Portland, Oregon, finds the woman of his dreams—Suzanne Kingston (Nia Long); but, Suzanne has two children and Nick Persons doesn’t like children. He almost decides to forego Suzanne when he sees her two children in the distance: Lindsey Kingston (Aleisha Allen) and Kevin Kingston (Philip Bolden). But, with some encouragement from his best friend and fellow worker, Marty (Jay Mohr), and his imaginary friend, baseball player bobble head Satchel Paige (voice of Tracy Morgan), Nick takes the leap and begins courting Suzanne Kingston. Eventually circumstances lead Nick into volunteering to take the two children on a road trip from Portland, Oregon to Vancouver, Canada.  The trip turns into a comical adventure as the three get to know each other through a series of serious misadventures.

Additional Thanks

Great Work for Director Brian Levant. Thank you to Executive Producers Derek Dauchy and Todd Garner for making the film possible. Additional characters/cast include: Frank Kingston (Sean Millington ), Al (M.C. Gainey), Carl (Henry Simmons), Car Dealer (Ray Galletti), Nick’s Pal on the street (Viv Leacock), Shoplifter (Casey Dubois), Shoplifter (J.B. McEown), Basketball Player (Kenyan Lewis), Basketball Player (Daniel Cudmore), Basketball Player (Adrian Holmes), and Lady Airport Cop (Nancy Robertson).

Buy a ticket? Yes? No? Maybe?

Yes. It’s a child and adult share movie and worth the ticket as it provides genuine chuckle power throughout the film.

Video Critique Available Here:



Ben Meyers

GENERATION IRON (Theatrical Release USA 2013)

Ben Meyers’ rating: 4.1|5.0 Stars ìììì

Generation Iron—
a body building documentary—does not have the grit or enjoyment factor that other physical training documentaries such as Pumping Iron include. This film is too much about the lives of body builders rather than about body building. It tends to show body building as not at all fun, but a competitive bullying sport that focuses on devising ways to beat the opponent rather than establishing camaraderie within the sport. Unlike the classic Arnold Schwarzenegger Pumping Iron documentary that shows hard work and dedication to body building while balancing that work with a genuine love of the game, this film seems to focus on virtual egoism where real fun is lost to competition.

Film Poster Courtesy of Wikipedia

Storyline

The film shows how several bodybuilders live, how they survive, what they do to pay the bills, and how they come together to compete for the 2012 Mr. Olympia Championship.

Additional Thanks

Great Work for Director and Writer Vlad Yudin. Thank you to Executive Producers Robin Chang, Jerome Gary, David J. Pecker, Eric Welder, and Jim Manion for making the film possible. Additional characters/cast include: Arnold Schwarzenegger (Himself), Mickey Rourke (Narrator voice), Michael Jai White (Himself), Lou Ferrigno (himself), Busta Rhymes (Himself), Ian Mercer (Himself), Kai Greene (Himself), Valery McCaffrey (Herself), Phil Heath (Himself),and Dennis Wolf (Himself).

Buy a ticket? Yes? No? Maybe?

Yes. It does what a documentary is meant to do—provide information.


Video Critique Available Here:



Ben Meyers

BERNIE (Los Angeles Film Festival, Los Angeles California USA 2011)

Ben Meyers’ rating: 4.5|5.0 Stars ìììì

Bernie—
comedy with a black twist—bases itself on the true story of Bernie Tiede, a mortician, who murders a wealthy town resident whom he has befriended. Actor Matthew McConaughey outstandingly portrays the character Danny Buck.

Film Poster Courtesy of Wikipedia

Storyline

A mortician named Bernie Tiede (Jack Black) prides himself in preparing corpses for proper burial. After Mrs. Marjorie Nugent’s (Shirley MacLaine) wealthy husband dies, Bernie Tiede befriends her by showering her with flowers, chocolates, and regular visits. She develops an abnormal, possessive, controlling attitude toward Bernie and becomes increasingly demanding of his time and personal life. Before long Bernie finds himself in the position of Mrs. Nugent’s constant companion. As Bernie descends into the assumption of servile attendant to Mrs. Nugent’s every whim, he becomes increasingly frustrated. The unhealthy relationship proceeds to its final climax when Bernie murders Mrs. Nugent and hides her body in her freezer. The rest of the film explores Bernie’s extravagant scattering of her wealth to needy town residents before he is finally accused, tried, and convicted of murder. The unexpected twist in the story is the community response to Bernie’s trial.

Additional Thanks

Great Work for Director Richard Linklater. Thank you to Executive Producers Michael Bassick, William T. Conway, John Paul DeJoria, Donald Fox, Alex Gudim, Lissa Gudim, Ken Hirsch, Johnny Lin, Duncan Montgomery, Darby Parker, Jack Selby, John Sloss, and Jack Gilardi, Jr. Additional characters/cast include: Scrappy Holmes (Brady Coleman), Lloyd Hornbuckle, (Richard Robichaux), Don Leggett (Rick Dial), Sheriff Huckabee (Brandon Smith), Reverend Woodard (Larry Jack Dotson), Molly (Merrilee McCommas), Carl (Mathew Greer), Townsperson (Marjorie Dome), Townsperson (Tim Cariker) Townsperson (Fern Luker), Townsperson (Jack Payne), Townsperson (Sonny Carl Davis), Townsperson (Chris Humphrey), and Townsperson (Ann Reeves).

Buy a ticket? Yes? No? Maybe?

Yes. The film presents an interesting study on non-premeditated murder.

Video Critique Available Here:


Ben Meyers

THE NIGHTMARE BEFORE CHRISTMAS (Theatrical Release USA 1993)

Ben Meyers’ rating: 4.0|5.0 Starsìììì

The Nightmare Before Christmas
catches the typical Tim Burton creativeness and presents a classic animated adventure that completely captures the imagination with its strange, peculiar unusualness. This film relies on a filming technique called stop-motion animation where figures are re-positioned to create the illusion of movement when each figure’s new position is filmed in sequence. It is a treat to see this effect as it lends a heightened surreal atmosphere to the movie.  Kudos to Director Henry Selick for catching all the nuances of a Tim Burton story.

Film Poster Courtesy of Wikipedia

Storyline

Skeleton Jack Skellington (voice Chris Sarandon) has run Halloween Town’s annual Halloween show for years. This year he really does not desire to run the annual festivities and wanders into a forest where he opens a door into a very different world: Christmas Town. Completely impressed with the uniqueness of Christmas Town, he endeavors to bring its flavor into Halloween Town, but the residents of Halloween Town are unable to grasp the meaning and spirit of Christmas Town due to their long-held environmental filters that focus on the meaning of Halloween. Jack tries to bridge the two worlds only to discover that his own holiday has its own place and value.

Additional Thanks

Thank you to Director Henry Selick for his directing efforts. Thank you to Producers Tim Burton and Denise Di Novi for making the film possible. Additional characters/cast include: Jack Skellington singing voice/Barrel/Clown with Tear Away Face (voice of Danny Elfman), Santa Claus (voice of Edward Ivory), Sally/Shock (voice of Catherine O’Hara), Evil Scientist (voice of William Hickey), Mayor (voice of Glenn Shadix), Lock (voice of Paul Reubens), Oogie Boogie (voice of Ken Page), and Big Witch/WWD (voice of Susan McBride).

Buy a ticket? Yes? No? Maybe?

Yes. This offbeat Tim Burton story shows extreme creativity and unique animation that earns itself the right of purchased tickets. Add to that the value of a good story line and you have a ticket worth buying.

Video Critique Available Here:




Ben Meyers

BARTON FINK (Theatrical Release USA 1991)

Ben Meyers’ rating: 4.7|5.0 Starsìììì

Barton Fink—
another story presented by the Coen brothers—teams John Turturro and John Goodman together in an offbeat comedy that is sure to place it at the top of the cult film list. There are some sexual references and sex scenes. Besides that, the script boils over with talent uniquely presented. It stands in its own class. Watch for Steve Buscemi in the film.

Film Poster Courtesy of Wikipedia

Storyline

Barton Fink (John Turturro), a stage writer from New York, gets called to Hollywood to write a movie script on boxing. He is checked into a low-grade hotel room where the walls are so thin that you can hear people through the walls on both sides of the room. Barton complains to Chet (Steve Buscemi), the desk clerk, about one of the noisy neighbors, insurance salesman Charlie Meadows (John Goodman) who promptly appears at Barton Fink’s door with profuse apologies and an offer of a free drink. Barton Fink cannot write the assigned movie script and, in desperation, seeks the aid of W.P Mayhew (John Mahoney), supposedly one of the best writers in the country. Barton finds that this writer is not only an alcoholic, but is having an affair with secretary Audrey Taylor (Judy Davis). When Barton Fink finds the secretary is the real writer of the last W.P. Mayhew books, he invites her to his hotel to get ideas for writing the boxing movie script. She stays overnight. When Barton Fink awakes in the morning, the secretary is lying next to him, brutally murdered. In desperation, Barton Fink turns to his noisy neighbor Charlie Meadows for help and the show is on.

Additional Thanks

Best work for Directors and Producers Joel and Ethan Coen. Thank you to Executive Producers Ben Barenholts, Bill Durkin, Jim Pedas, and Ted Pedas for making the film possible. Additional characters/cast include: Jack Lipnik (Michael Lerner), Ben Geisler (Tony Shalhoub), Lou Breeze (Jon Polito), Garland Stanford (David Warrilow), Detective Mastrionotti (Richard Portnow), Detective Deutsch (Christopher Murney), Derek (I.M. Hobson), Poppy Carnahan (Meagen Fay), Richard St. Clair (Lance Davis), Pete (Harry Bugin), Maitre D’ (Anthony Gordon), and Stagehand (Jack Denbo).

Buy a ticket? Yes? No? Maybe?

Yes. The film, for the mature adult audience, once again shows how the Coen brothers understand casting, timing, and presenting entertainment that is entirely fresh and new.

Video Critique Available Here:



Ben Meyers

ADVENTURES IN BABYSITTING (Theatrical Release USA 1987)

Ben Meyers’ rating: 4.4|5.0 Starsìììì

Adventures in Babysitting—
one of the better teen/adult films Hollywood has produced—contains some sexual references and partial nudity; but, also contains a considerable number of chuckles. Actors and actresses Elizabeth Shue, Maia Brewton, Keith Coogan, and Anthony Rapp perform well together.

Film Poster Courtesy of Wikipedia

Storyline

Chris Parker’s (Elisabeth Shue) boyfriend stands her up and she decides to take an evening babysitting job with the Anderson family. While she is babysitting, her friend Brenda (Penelope Ann Miller) calls and pleads for help. Brenda ran away from home, is stuck in a bus station, has no money, and wants to go home. Brenda is being harassed by an elderly homeless man while another younger man keeps flashing a gun at her. Chris needs to help her friend, but feels conflicted because she is responsible for the safety and well-being of the Anderson children. The Anderson children suggest they tag along on the rescue. Chris agrees and the adventures begin as the babysitter and her charges enter a less than desirable neighborhood on the other end of town.

Additional Thanks

Great work for Director Chris Columbus. Thank you to Producers Debra Hill and Lynda Obst for making the film possible. Additional characters/cast include: Daryl Coppersmith (Anthony Rapp), Joe Gipp (Calvin Levels), Sara (Maia Brewston), Dawson (Vincent D’Onofrio), Brad (Keith Coogan, Dan (George Newbern) Pruitt (John Ford Noonan), Graydon (Ron Canada), Bleak (John Davis Chandler), Mr. Anderson (Dan Ziskie), Janitor #1 (Allan Aarons), Nurse (Marcia Bennett), Janitor #2 (Rummy Bishop), and Cleminski (David Blacker).

Buy a ticket? Yes? No? Maybe?

Yes. The film is good comedy for both the teen and the adult audience.

Video Critique Available Here:



Ben Meyers

TRACKS (Toronto International Film Festival Toronto Canada 2013)

Ben Meyers’ rating: 4.2|5.0 Starsìììì

Tracks
turns into a good Australian story that credits the directing and script writing abilities of John Curran and Marion Nelson respectively. It’s often difficult to tell this type of story well and hold audience attention. While there needs to be more filming and story line before Mia Wasikowska arrives at the Indian Ocean to round the story to its proper fullness, the effort as a whole does not flag and moves along nicely. The film sets in stone the fact that Adam Driver and Mia Wasikowska make a good acting team.

Film Poster Courtesy of Wikipedia

Storyline

A young Australian woman (Mia Wasikowska) decides to camel trek across the Australian desert to the Indian Ocean, a distance of 1,690 miles. She befriends National Geographic photographer, Rick Smolan (Adam Driver), who tracks her effort.

Additional Thanks

Great work for John Curran. Thank you to Executive Producers Andrew Mackie, Richard Payten, and Xavier Marchand for making the film possible. Additional characters/cast include: Young Robin (Lily Pearl), Publican (Philip Dodd), Publican’s Wife (Fiona Press), Ada (Daisy Walkabout), Kurt (Rainer Bock), Gladdy (Felicity Steel), Sallay (John Flaus), Chilpi (Ian Conway), Evan (Evan Casey), David (David Pearce), Jenny (Jessica Tovey), Tolly (Darcy Crouch), and Peter (Brendan MacLean).

Buy a ticket? Yes? No? Maybe?

Yes. The film’s casting is outstanding. Mia Wasikowska’s acting is above average. Adam Driver perfectly portrays National Geographic photographer, Rick Smolan. Great work for all involved.


Video Critique Available Here:



Ben Meyers

THE AFRICAN QUEEN (Theatrical Release USA 1951)

Ben Meyers’ rating: 4.0|5.0 Starsìììì

The African Queen—
a great show that wants so badly to be a classic—allows Humphrey Bogart an opportunity to break usual character by moving away from suave into the rough and uncultured. He does a great job making this transformation with all the appropriate mannerisms, speech, and attitude; but, he doesn’t seem comfortable with his lines. Katherine Hepburn surprises with her gung-ho, ‘Let’s get the enemy and take ‘im down ‘cause it’s so exciting and I’ve never lived until now’ approach to this story. And, Robert Morley as Reverend Sayer does the most laughable, unrealistic death scene, outside of black and white movie scenes, ever seen onscreen.

Film Poster Courtesy of Wikipedia

Storyline

Charlie Allnut (Humphrey Bogart) delivers cargo by boat to villages lining an African river. During World War II, Germans destroy a village served by Reverend Samuel Sayer (Robert Morley). Charlie Allnut volunteers to help the Reverend’s surviving sister, Rose Sayer (Katharine Hepburn). They begin a dangerous voyage downriver and the story is up and running to include open warfare with a German fort, running rapids, and dealing with dangerous beasts.

Additional Thanks

Good Work for Director John Huston. Thank you to Producers Sam Spiegel and John Woolf for making the film possible. Additional characters/cast include: Captain of the Louisa (Peter Bull), First Officer (Theodore Bikel), Second Officer (Walter Gotell), First Officer of the Shona (Peter Swanwick), Second Officer of the Shona (Richard Marner), Native Soldier (Errol John), Petty Officer (Gerald Onn), and German Officer (John von Kotze).

Buy a ticket? Yes? No? Maybe?

Maybe. The film has its points, but the action doesn’t compare with today’s movies and the love story borders on bland.

Video Critique Available Here:



Ben Meyers

HUGO (Theatrical Release USA 2011)

Ben Meyers’ rating: 4.0|5.0 Starsìììì

Hugo—
partially based on the true story of filmmaker Georges Méliès—starts slow, but rapidly displays a certain artistic quality that defies traditional film treatment. The film becomes a credit to Georges Méliès’ life and contribution to film, but does it in such a way that audiences may be caught off guard. It is not until the end of the film that one may realize that somehow, someway there has been exposure to something surreal. Director Martin Scorcese reminds an audience of all the reasons  movies are loved. The wonder of seeing people on the rolling screen and the power of being taken places that one cannot always go without the media of film...kudos to Director Martin Scorsese for remembering Georges Méliès’ time in history and bringing that moment in time back to life in such a vibrant, unexpected way. The film embodies the delight one experiences when finding a single violet in an unending field of green grass.


Film Poster Courtesy of Wikipedia


Storyline

Young Hugo Cabret (Asa Butterfield), who is trying to fix an animatron, gets his notebook taken from him by Georges Méliès (Ben Kingsley) who accuses him of stealing items from his toy shop. Hugo desperately needs the notebook. Georges Méliès gives Hugo a job as janitor in his toy shop in return for the notebook. When Hugo finally finishes the last repair on the animatron, he winds it up and it works, then stops. Hugo finds that the animatron needs a heart-shaped, pointed key. Isabelle (Chloë Grace Moretz), who lives in the same house as Georges Méliès, oddly enough wears a heart-shaped key as a necklace. Hugo shows her the animatron. The key fits the animatron and the animatron begins to draw something, but stops. Then it starts up again and draws a picture representing an old movie, A Trip to The Moon. The animatron also includes the signature of Georges Méliès. Hugo asks Isabelle to help him sneak into the house of Georges Méliès to see how the drawing relates to Georges Méliès.

Additional Thanks

Great Work for Director Martin Scorsese. Thank you to Executive Producers David Crockett, Barbara De Fina, Christi Dembrowski, Georgia Kacandes, Emma Tillinger Koskoff, and Charles Newirth for making the film possible. Additional characters/cast include: Station Inspector (Sacha Baron Cohen), Uncle Claude (Ray Winstone), Lisette (Emily Mortimer), Monsieur Labisse (Christopher Lee), Mama Jeanne (Helen McCrory), Rene Tabard (Michael Stuhlbarg), Madame Emilie (Frances de la Tour), Monsieur Frick (Richard Griffiths), and Hugo’s Father (Jude Law).

Buy a ticket? Yes? No? Maybe?

Yes. It’s artistic—a complete bouquet of the finest roses to the film industry’s efforts to improve our lives by providing/allowing/giving the gift of on-demand entertainment for every person, not just the select few. Do a little research on Director Georges Méliès before you go to get the most from this inspiring film.

Video Critique Available Here:



Ben Meyers

BEN MEYERS INTERNATIONAL MOVIE CRITICS INFORMATIONALLY DRIVEN BY